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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">intertrends</journal-id><journal-title-group><journal-title xml:lang="ru">Международные процессы</journal-title><trans-title-group xml:lang="en"><trans-title>International Trends / Mezhdunarodnye protsessy</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">1728-2756</issn><issn pub-type="epub">1811-2773</issn><publisher><publisher-name>AEFIR</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.17994/IT.2021.19.3.66.3</article-id><article-id custom-type="elpub" pub-id-type="custom">intertrends-263</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ПРОДОЛЖЕНИЕ ДИСКУССИИ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>CONTINUING THE DISCUSSION</subject></subj-group></article-categories><title-group><article-title>Влияние пандемии COVID-19 на креативные индустрии пример Казахстана</article-title><trans-title-group xml:lang="en"><trans-title>The impact of the COVID-19 pandemic on the music industry evidence from Kazakhstan</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Калюжнова</surname><given-names>Е.</given-names></name><name name-style="western" xml:lang="en"><surname>Kalyuzhnova</surname><given-names>Y.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Елена Калюжнова</p></bio><bio xml:lang="en"><p>Yelena Kalyuzhnova</p><p>Reading, RG6 6UD</p></bio><email xlink:type="simple">y.kalyuzhnova@henley.ac.uk</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Хлыстова</surname><given-names>Е.</given-names></name><name name-style="western" xml:lang="en"><surname>Khlystova</surname><given-names>O.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Елена Хлыстова</p></bio><bio xml:lang="en"><p>Olena Khlystova</p><p>Reading, RG6 6UD</p></bio><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Имайо</surname><given-names>А.</given-names></name><name name-style="western" xml:lang="en"><surname>Imayo</surname><given-names>A.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Ассель Имайо</p><p>Алматы</p></bio><bio xml:lang="en"><p>Assel Imayo</p><p>Almaty, 050000</p></bio><xref ref-type="aff" rid="aff-2"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru">Бизнес школа Хенли, Университет Рединга<country>Великобритания</country></aff><aff xml:lang="en">Henley Business School, University of Reading<country>United Kingdom</country></aff></aff-alternatives><aff-alternatives id="aff-2"><aff xml:lang="ru">Казахская национальная консерватория имени Курмангазы<country>Казахстан</country></aff><aff xml:lang="en">Kurmangazy Kazakh National Conservatory<country>Kazakhstan</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2021</year></pub-date><pub-date pub-type="epub"><day>30</day><month>09</month><year>2021</year></pub-date><volume>19</volume><issue>3</issue><fpage>147</fpage><lpage>156</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Калюжнова Е., Хлыстова Е., Имайо А., 2021</copyright-statement><copyright-year>2021</copyright-year><copyright-holder xml:lang="ru">Калюжнова Е., Хлыстова Е., Имайо А.</copyright-holder><copyright-holder xml:lang="en">Kalyuzhnova Y., Khlystova O., Imayo A.</copyright-holder><license license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.intertrends.ru/jour/article/view/263">https://www.intertrends.ru/jour/article/view/263</self-uri><abstract><p>Пандемия COVID-19 оказала чрезвычайно негативное влияние на музыкальную индустрию в Казахстане. Её представители были вынуждены закрыть площадки или отменить выступления и не могли работать в обычном режиме. Этот сектор вынужден был искать собственные способы борьбы с последствиями пандемии в отсутствии государственной поддержки. При этом сказывался недостаток навыков работы в цифровой среде, трудности с доступом к программному обеспечению для записи концертов или онлайн-выступления. Учитывая потребность в исследовании влияния пандемии COVID-19 на представителей музыкальной индустрии в различных географических регионах, настоящая работа опирается на результаты проведённого опроса. В период с февраля по июнь 2021 г. мы обратились к 102 представителям музыкальной индустрии по всему Казахстану. Мы собрали данные о том, какое влияние пандемия оказала на музыкальную индустрию страны. Результаты опроса показывают, что участники музыкальной индустрии потеряли значительную часть дохода из-за COVID-19. Наше исследование выводит несколько следствий для политики, которые можно учесть при разработке стратегии восстановления музыкальной индустрии в Казахстане. Лица, определяющие политику, должны рассмотреть вопрос о разработке финансовых схем для поддержки представителей креативных профессий во время пандемии. Было бы полезно предоставить гранты для поддержки специалистов творческих профессий, которые особенно остро сталкиваются с негативными последствиями пандемии. Результаты проведённого исследования демонстрируют необходимость объединять исследователей и музыкантов в ассоциации, которые могли бы проконсультировать их о возможностях получения грантов и специальной поддержки от государственных и независимых фондов.</p></abstract><trans-abstract xml:lang="en"><p>The COVID-19 pandemic has had an overwhelmingly negative effect on the music industry in Kazakhstan. Music events had to close or cancel their performances, rendered unable to operate as usual. This sector has been struggling to cope with the pandemic because of the lack of the government support, digital skills, and difficulties in accessing software to record concerts or perform online. Given the need in the literature for surveys of music industry representatives on the impact of the COVID-19 pandemic in different geographic areas, this study utilised the survey approach. During the period of February-June 2021, we approached 102 representatives of the music industry across Kazakhstan. We have collected data on what impact the COVID-19 pandemic has had on the music industry in Kazakhstan. The results of the survey demonstrate that the music industry stakeholders have lost a significant amount of income due to the COVID-19 pandemic. Our study has several policy implications that could be considered when developing the recovery strategy for the music industry in Kazakhstan. The policy makers need to consider the development of financial schemes to support artists in the time of the pandemic. It would be helpful to create grants to support the creative artists who are particularly struggling from the negative consequences of the COVID-19 pandemic. Our results have demonstrated that it would be necessary to unite academics and musicians in associations that could advise them on the possibilities of obtaining grants and special support from state and independent foundations.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>музыкальная индустрия</kwd><kwd>пандемия COVID-19</kwd><kwd>Казахстан</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Music Industry</kwd><kwd>Covid-19 Pandemic</kwd><kwd>Kazakhstan</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Audretsch D.B., Belitski M., Korosteleva, J. (2021). 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